<H2> Lit hub Radio </H2> |
<H2> November 14, 2019 </H2> |
<H2> Get The Lithub Daily </H2> |
<H2> Twitter </H2> |
<H2> The Hub </H2> |
<H2> Facebook </H2> |
<H2> Today's Giveaway </H2> |
<H2> RSS </H2> |
<H2> Literary Hub </H2> |
<H3> Remembering the Moments Before the Charlie Hebdo Attack </H3> |
<H3> A Day in the Life of a Food Critic: Chef Tantrums Included </H3> |
<H3> On the Build-Up to the Legendary Baldwin-Buckley Debates </H3> |
<H3> Azar Nafisi on Finding Herself in the Writing of Vladimir Nabokov </H3> |
<H3> On the Difficulty of Convincing Samuel Beckett of Just About Anything </H3> |
<H3> The Case Against an American King, Then and Now </H3> |
<H3> How Do We Bring More Urgency to the Climate Crisis? Emma Sloley and Emily Raboteau in Conversation </H3> |
<H3> Ok Billionaire: Why Do the Opinions of 600 Americans Get So Much Airtime? </H3> |
<H3> On Frank Lloyd Wright, Ernest Hemingway, and the Art of Omission </H3> |
<H3> The 20 Best Works of Nonfiction of the Decade </H3> |
<H3> Inside France's Fall Publishing Frenzy, aka 'Oscar Season For Books' </H3> |
<H3> What Makes Good Comfort Food? Writers in Conversation </H3> |
<H3> André Aciman Finds His Way Back to His Famous Lovers </H3> |
<H3> American Gothic: The Woman Who Escaped the Asylum </H3> |
<H3> The 10 Best Essay Collections of the Decade </H3> |
<H3> The Latest </H3> |
<H3> News, Notes, Talk </H3> |
<H3> Daily Fiction </H3> |
<H3> The Mutations </H3> |
<H3> “Prepare Her” </H3> |
<H3> “Parasite Air” </H3> |
<H3> The Revisioners </H3> |
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<H4> The Secret Society of Women Writers in Oxford in the 1920s </H4> |
<H4> The Elusive Lure of Peace and Reconciliation in Northern Ireland </H4> |
<H4> Will Self: Claire Foy Will Always Be My Queen </H4> |
<H4> Nabokov on the Wondrous World of Russian Toys </H4> |
<H4> You're Almost Definitely More of a Jerk Than You Think You Are </H4> |
<H4> From Jorge Comensal's novel, translated by Charlotte Whittle </H4> |
<H4> A story by Genevieve Plunkett </H4> |
<H4> A story by Trevor Shikaze </H4> |
<H4> From Margaret Wilkerson Sexton's novel </H4> |
<H4> Rave </H4> |
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<H4> 5 Reasons a Writer Should Move to Pittsburgh </H4> |
<H4> On the Humorous Surrealism of Mimi Parent </H4> |
<H4> When Will We Pay Attention to Missing and Murdered Indigenous Women? </H4> |
<H4> Searching for Trans Identity in Jewish Texts </H4> |
<H4> High School Crush: On Literary Longing and Misdirected Lust </H4> |
<H4> 5 Reviews You Need to Read This Week </H4> |
<H4> Point/Counterpoint:Erin Morgenstern's The Starless Sea </H4> |
<H4> The Playboy and the Publisher: A Murder Story </H4> |
<H4> Paul Tremblay on the Absurdities of Modern Life </H4> |
<H5> Survivor Philippe Lançon on Memory and Fate in the Wake of Violence </H5> |
<H5> Adam Platt on the Time Mario Batali Called Him “a Miserable Fuck” </H5> |
<H5> Bad Reviews, Disastrous Elections, and the Intellectual State of Play in 1964 New York </H5> |
<H5> How a Writer is Shaped By Perpetual Exile </H5> |
<H5> Deirdre Bair, Biographer of Record, Recalls Their First Meeting </H5> |
<H5> Liesl Schillinger Considers the Impeachment of Donald Trump vs. the Indictment of George III </H5> |
<H5> Rethinking Ways of Describing Climate Change As It Is Lived </H5> |
<H5> Rebecca Solnit on the Self-Importance (and Self-Pity!) of the Very Rich </H5> |
<H5> What Does the “Iceberg Theory” Look Like Applied to Architecture? </H5> |
<H5> In which we cheated. </H5> |
<H5> Clémentine Goldszal on La Rentrée Littéraire </H5> |
<H5> With Mira Jacob, Maile Meloy, Emily Raboteau, and Diana Abu-Jaber </H5> |
<H5> Catching Up Over Coffee with the Author of Call Me By Your name </H5> |
<H5> On the 19th-Century Invention of the Madwoman </H5> |
<H5> Ever tried. Ever failed. No matter. </H5> |
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